The Bahamas National Pavilion at the 55th Venice Biennale: Tavares Strachan

By ARC Magazine Thursday, January 24th, 2013 Categories: Biennales, Updates
 

Commissioner Nalini Bethel (Senior Director of Communications, The Bahamas Ministry of Tourism) is pleased to announce the appointment of Tavares Strachan as the representing artist for the inaugural pavilion of The Bahamas at the 55th International Venice Biennale.

“The Commonwealth of The Bahamas is honored to have our very own Tavares Strachan represent our country in this inaugural appearance at the Venice Biennale. Our country is preparing for its 40th Independence, and this artist represents our journey as a nation and our excitement about the future. Mr. Strachan is an excellent ambassador for The Bahamas, and we congratulate him on this magnificent achievement.” –Obie Wichcombe, Minister of Tourism, The Bahamas.

Venice Biennale

Venice Biennale

Tavares Strachan may be best known for his internationally celebrated 2006 piece titled The Distance Between What We Have and What We Want, consisting of a 4.5-ton block of ice harvested in a river near Mount McKinley, Alaska. The ice was then sent via Federal Express to the Bahamas, where it was placed in a transparent refrigerated case and exhibited in Nassau. Ironically, solar power was used to keep the ice frozen.

Tavares Strachan- From the Belong Here series

Tavares Strachan- From the Belong Here series

Over the past decade, Strachan’s explorations have expanded to both outer space and under water, focusing equally on the human body’s ability to acclimatize itself to these radical environments. One of his major topics has been orthostatic tolerance—the body’s ability to circumvent hypotension and withstand pressure during gravitational stress, often caused by quick changes of altitude. Although orthostatic tolerance can describe a change as simple as the body’s reaction to standing up quickly after being seated, Strachan’s art investigates the more extreme circumstances of being launched into the earth’s stratosphere or submerged to the oceans’ depths. Strachan’s research on the topic has extended to hands-on training at the Yuri Gagarin Russian State Science Research Cosmonaut Training Center in Star City, Russia as well as a residency at the Massachusetts Institute of Technology, where he worked with some of this institution’s cutting-edge scientists.

Strachan’s research is tied to his establishment of the nascent Bahamas Aerospace and Sea Exploration Center (BASEC) in his native country. In the course of working with BASEC, Strachan has made several rockets wholly from Bahamian natural resources (glass from beach sand, and fuel from sugarcane) and launched them 15 to 20 miles into the earth’s stratosphere, before collecting and presenting their fallen remnants as sculptural relics. His experimentations with BASEC and his research into extreme conditions have been the basis for exhibitions at the University of Pennsylvania’s Institute of Contemporary Art in Philadelphia (2008); Grand Arts in Kansas City, Missouri (also 2008); and MIT List Visual Arts Center in Cambridge, MA (2010).

Tavares Strachan- From The Distance Between

Tavares Strachan- From The Distance Between

Last year a 20,000-square-foot overview of Strachan’s work from 2003–2011, subtitled Seen/Unseen, was presented at an undisclosed New York City location and was closed to the public. Curated by Crutchfield and Hobbs, Tavares Strachan: seen/unseen is fully documented with an illustrated catalogue, designed by Stefan Sagmeister and distributed by D.A.P in spring, 2013. An interactive website dedicated to this exhibition is forthcoming.

 

About the artist

Tavares Strachan (b. 1979, Nassau, Bahamas; lives in New York City) received a BFA from the Rhode Island School of Design in 2003 and an MFA from Yale University in 2006. His solo shows include Orthostatic Tolerance: It Might Not Be Such a Bad Idea if I Never Went Home Again, MIT List Visual Arts Center, Cambridge, MA (2010); Orthostatic Tolerance: Launching from an Infinite Distance, Grand Arts, Kansas City, MO (2010); Tavares Strachan: Orthostatic Tolerance, the Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2009); Where We Are is Always Miles Away, The Luggage Store, San Francisco, CA (2006); and The Difference Between What We Have and What We Want, Albury Sayle Primary School, Nassau, The Bahamas (2006).

The Bahamas National Pavilion is produced by Christopher Hoover and Michael Hall, in association with Christophe Thompson. Major support is granted by The Bahamas Ministry of Tourism. For information regarding The Bahamas pavilion please contact .

ARC Magazine
ARC Magazine

ARC Inc. is a non-profit print and online publication and social platform launched in 2011. It seeks to fill a certain void by offering a critical space for contemporary artists to present their work while fostering and developing critical dialogues and opportunities for crucial points of exchange. ARC is an online and social space of interaction with a developed methodology of sharing information about contemporary practices, exhibitions, partnerships, and opportunities occurring in the Caribbean region and throughout its diasporas.