Lyle O. Reitzel Gallery presents ‘All the Artificial Barriers’ by Gerard Ellis

By ARC Magazine Friday, June 9th, 2017 Categories: Exhibitions, Updates
 

Lyle O. Reitzel Contemporary Art Gallery, founded in Santo Domingo, Dominican Republic in 1995, is thrilled to celebrate the first year anniversary of its New York branch in the heart of Lower East Side with ‘All The Artificial Barriers’, a solo exhibition of new and recent works by New York-based, Dominican artist Gerard Ellis. It includes large, mixed media works on canvas, as well as medium and small size works on wood panels. The show opens on Thursday, June 15, 2017 from 6 – 10 pm and runs until August 1, 2017.

Gerard Ellis, Paseo En Domingo, 2016, Acrylic and collage on canvas, 70" x 60"

Gerard Ellis, Paseo En Domingo, 2016, Acrylic and collage on canvas, 70″ x 60″

Gerard Ellis, Juego de Adultos, 2017, Acrylic and pencil on canvas, 48" x 64"

Gerard Ellis, Juego de Adultos, 2017, Acrylic and pencil on canvas, 48″ x 64″

 

“A human being is a being who is constantly ‘under construction,’ but also, in a parallel fashion, always in a state of constant destruction.” – Jose Saramago

The work of Gerard Ellis is indeed painting with a purpose. For the viewer of these works, Ellis creates visual compositions that excite on a visceral level with vivid juxtapositions of colour and form coupled with the possibility of providing potent metaphors. They exist as a vehicle for Ellis; they serve not only as a cathartic medium but also as a profound, intimate and detailed exploration of the unavoidable conflicts and tensions intrinsic to being.

We live in a world saturated with information and in an ever more technologically and social media influenced life, where the basics of a simple face-to-face interaction seems, at moments, to be fading away. In ‘All The Artificial Barriers’, the artist explores the everyday life relations, the dualistic nature of things and how we tend to drive ourselves more and more away from the real world and dive into a virtual reality. Ellis makes use of a remarkable variety of techniques and mediums at the time of resolving his rigorous pictorial exercises. The emphasis on concept and composition becomes a distinctive trait of this disturbing and suggestive visual universe. The structural and expressive recourses of drawing are key elements in the process of materialization and depuration of this universe. We are faced with the display of an essentially playful, poetic, and reflexive symbolic practice, an oeuvre that takes us to the periphery of amazement, chromatic spaces, as well as the microphysics of its translucent materiality, induces in us a profound reflection on its vitality, and also on its ethic and revealing implications.

Gerard Ellis, Hunting Season Is Always Open, 2017, Acrylic and pencil on canvas62" x 48”

Gerard Ellis, Hunting Season Is Always Open, 2017, Acrylic and pencil on canvas
62″ x 48”

Gerard Ellis, Joyful Wasteland, 2017, Acrylic on canvas, 48" x 64”

Gerard Ellis, Joyful Wasteland, 2017, Acrylic on canvas, 48″ x 64”

 

The use of animal characters has been a key figure in his paintings, where it can sometimes act both as a victim and as the aggressor, and constantly finds itself immersed in different dramatic and theatrical scenarios, punctuated by an artificial stillness and tension that halts the action, as if you are looking in on a static diorama, but at the same time giving us a strong sense of movement and dynamism.

Gerard Ellis, I Want To See You (From the Sacred series), 40" x 67", Acrylic and collage on canvas, 2017

Gerard Ellis, I Want To See You (From the Sacred series), 40″ x 67″, Acrylic and collage on canvas, 2017

Gerard Ellis was born in Santo Domingo, Dominican Republic in 1976. He graduated from the National School of Fine Arts and the Universidad Autónoma de Santo Domingo. He was selected to be part of the “S-Files”, the 6th edition of the El Museo del Barrio Biennial in NY, 2011. Ellis has been recognized with three awards of Excellence by The Society of News Design. In 2007, he was invited to be part of the IX edition of the Cuenca International Biennial, Ecuador. His work has been shown in the National Biennial of Visual Arts and the XX edition of the E. León Jimenes Art Contest (Biennial), where he received the prize for painting, both in the Dominican Republic. Also, Ellis has participated with the Lyle O. Reitzel Gallery in various international contemporary art fairs such as VOLTA NY, Scope NY and Miami, Pinta, Arte BA and CIRCA. He’s included in the permanent collection of the Museum of Latin American Art in Long Beach, CA, La Fundación Para La Pintura, Canarias, Spain, The Scott Latham Foundation, RI, Fundación Cortés in Viejo San Juan, Puerto Rico, Centro León in Santiago de los Caballeros in Dominican Republic, the Museum of Contemporary Drawing and the Museum of Modern Art in Santo Domingo, The Dominican Congress and also in private collections Santo Domingo, New York, London, Miami, Spain, Panamá, Venezuela and Puerto Rico. The show will be on view until August 1, 2017.

Gerard Ellis, Our Latest Breed, 2016, Acrylic on canvas, 50" x 74”

Gerard Ellis, Our Latest Breed, 2016, Acrylic on canvas, 50″ x 74”

Gerard Ellis, Illusion III, 2017, Acrylic and collage on canvas, 40" x 40”

Gerard Ellis, Illusion III, 2017, Acrylic and collage on canvas, 40″ x 40”

ARC Magazine
ARC Magazine

ARC Inc. is a non-profit print and online publication and social platform launched in 2011. It seeks to fill a certain void by offering a critical space for contemporary artists to present their work while fostering and developing critical dialogues and opportunities for crucial points of exchange. ARC is an online and social space of interaction with a developed methodology of sharing information about contemporary practices, exhibitions, partnerships, and opportunities occurring in the Caribbean region and throughout its diasporas.